Its that time of year again. Chris Wemmer (aka the Camera Trap Codger) is teaching his Camera Trap course through the Sierra Nevada Field Campus of San Francisco State University. If you are a regular follower of the camera trappers around the blogsphere you will see most of them took the class with Chris and all of them are happy to endorse it as well. There is an obvious reason for that. It is well worth your time both from a knowledge standpoint and from getting to know Chris. Everyone who knows Chris knows he won’t brag about himself but trust me he is simply an awesome guy who is willing to go out of his way to help you. Enough said, sign-up, you will thoroughly enjoy yourself!
I recently scheduled two photography workshops for the month of May. Many of you expressed interest in upcoming workshops so I wanted to let you know about them. Both workshops are very limited in terms of number of participants since I want to ensure everyone gets the individualized attention they deserve. This also means though that they fill up really quickly.
May 5th, 2012 – Moving Away from Auto
This workshop is designed to get you moving away from shooting in the auto function to allow you to be in control of your camera. With the gained knowledge in this workshop your creativity can take off and you can create the images you desire. This workshop is appropriate for people who have recently purchased their cameras and are ready to move to the next step or for people who are ready to make the leap into the manual modes of your camera. Limited to 4 participants. Full Details
This workshop is designed to get you to make pictures not just take them. We will cover a range of topics and will stress the importance of making conscious decisions about what picture you are trying to achieve and changing your camera settings to get those results. This workshop is appropriate for people who know basic camera functions but are looking to improve their picture quality. Limited to 8 participants. Full Details
Finally, feel free to message me back if neither of these workshops suits you and why. If I get enough of a response with common interests/needs that are different from the above I will try to arrange a workshop that fits those requests. Also, check back since I will be scheduling more workshops in the future.
Simply put, yes!
Most of us outdoorsy people like to get in a little bit of adrenaline here or there. This is easy for wildlife photography since the adrenaline starts kicking in every time you get close to a wild animal, but when adventuring is the first reason for the trip, is it still possible to combine it with photography?
I am no expert on hardcore adventuring but I definitely enjoy strenuous trips hiking, biking, kayaking, and what ever else my friends or I can think of. Since these trips are generally always focused on an outside location I always get the urge to bring the camera just in case an animal shows up or a landscape screams to be photographed. To make these trips a success it is extremely important to make conscious decisions about what gear you bring. If you have too much you get slowed down and start seriously worrying about your gear getting damaged, if you have too little you may not get a shot. (let’s just say I struggle with this a lot). To help you make better decisions check out Jeff Bartlett’s Blog, who writes extensively on the subject of adventure photography (I will need to follow his advice more) and packing for a trip.
Just to give you some examples of small adventures that have provided for excellent photographic opportunities.
So the lesson I have learned is to not choose but to smartly combine photography with outdoor adventures!
Botanical Gardens and Arboretums are amazing places to not only visit but also to photograph. It is always fascinating to me to see plants from all around the world in such a small area. How amazing is it to wander from South Africa to Australia in just a few yards. From Proteas to Pincushions. It doesn’t even matter at what time of year you go, something will be in bloom.
Living in Santa Cruz provides the amazing opportunity of visiting the UCSC Arboretum, a deeply under-appreciated place. It contains the largest concentration of southern hemisphere plants in the northern hemisphere. When I photograph in these floral collections I tend to shoot in a macro-style, concentrating on single plants, often on single flowers. This is mainly to eliminate distracting backgrounds and since the plants are not in their native habitat showing the landscape in the background is not beneficial most times.
Here are a few examples of the types of pictures I am talking about:
Then you always have the option of getting more abstract pictures. This is the advantage of plants over animals, they don’t move too far. The picture below was taken at the UC Berkeley Botanical Garden. I loved how the light was coming through the fern fronds. I first took images that were in focus but I really liked the shape of the leaves so I decided to manually put them out of focus, having nothing in the image be sharp. It’s different, but I like it.
Finally, all the plants attract wildlife as well, so keep an eye out for movement. Hummingbirds are frequent visitors to gardens so they are attracted to these ’super gardens’ in even higher numbers. This male Allen’s Hummingbird was photographed in Santa Cruz. He would continuously land on this perch and then chase off any other males intruding into his space. Every time he was off chasing a rival I crept closer, stopping when he would arrive back at his perch. I wanted to still include some of the amazingly colorful background created by all the plants so I stopped when I was about 10 feet away. It is one of my earliest photographs, but I still love it.
So go out and find your local botanical paradise, you will be amazed by what you find!
Photographing wildlife with a camera trap seems easy in concept. Place a camera trap in the wilderness, let it sit there, and have it take amazing pictures while you rest at home. This isn’t quite the case. One of the hardest parts about camera trap photography is getting your set-up to work like you want it to. The camera and flashes have to be ready to take a picture at moments notice but need to also conserve batteries enough to last for an extended period of time. And then everything has to be safe in a serious down drench. Finally the biggest challenge of all is that you can’t buy professional camera traps at a store, ready to use out of the box. Even national geographic cameras use customized set-ups.
For inspiration, visit two of my favorite blogs. Chris Wemmer’s blog Camera Trap Codger which is not only filled with witty, educational, and fun writing but also accompanied by great camera trap images; as well as Jake Kirkland and Christian’s Camera Trapping Campus blog, filled with great stories and it hits close to home for me since I also got my degree from UCSC. All of them ‘hack’ much of their equipment to function for the camera trapping needs!
Once you have the equipment figured out the really fun part starts. Its time to hit the field to select your location for your camera trap. Natural game paths are always a perfect option, they provide ample chances for wildlife to walk by. It is necessary to take to appropriate time during the set-up since there can’t be any quick adjustments made once the camera is in place. Using yourself always works:
After you are done setting up you want to leave it be, it will take a while for your smell to be masked by nature’s more natural smells and some time for the animals to get used to the new objects in their environment (don’t think they don’t know its there).
After some time you will get your first shots. In the beginning most likely just your neighbors pet:
Maybe even some behavioral images:
Of course many times you will get another curious human:
but in the end when you get a shot like this, you are quite the happy camper:
When ever you go to check the camera and replace batteries its like Christmas, you don’t know what you will get except a bunch of happy surprises. Camera trapping is a great way to get an intimate view into the lives of animals you may hardly see, something I very much cherish.